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동의합니다.
I think the half frame Yashica Samurai Z is a really cool camera - and the Rollei Retro 80S (actually an Agfa Aviphot Pan 80) is a really cool film. Accordingly, I was curious to find out how the two harmonize with each other. Developed as a stand development in Rodinal 1:100 for one hour. The result is different than expected. Qualitatively difficult. But I still like the look of the images.
I went for the first time to Taiwan to shoot a feature about the incredible Yi-Wei Keng, a theatre man and curator of the biggest festivals on the island. For one scene we renacted moments from his youth, were he listened to short wave radio at the shores of his home town Hualin. My Kodak EPP was really old, but I kinda like the grain. Yi-Wei will use the first photograph now to be published in his books. I kie that, too.
I went for the first time to Taiwan to shoot a feature about the incredible Yi-Wei Keng, a theatre man and curator of the biggest festivals on the island. For one scene we renacted moments from his youth, were he listened to short wave radio at the shores of his home town Hualin. My Kodak EPP was really old, but I kinda like the grain. Yi-Wei will use the first photograph now to be published in his books. I kie that, too.
I went for the first time to Taiwan to shoot a feature about the incredible Yi-Wei Keng, a theatre man and curator of the biggest festivals on the island. For one scene we renacted moments from his youth, were he listened to short wave radio at the shores of his home town Hualin. My Kodak EPP was really old, but I kinda like the grain. Yi-Wei will use the first photograph now to be published in his books. I kie that, too.
I went for the first time to Taiwan to shoot a feature about the incredible Yi-Wei Keng, a theatre man and curator of the biggest festivals on the island. For one scene we renacted moments from his youth, were he listened to short wave radio at the shores of his home town Hualin. My Kodak EPP was really old, but I kinda like the grain. Yi-Wei will use the first photograph now to be published in his books. I kie that, too.
I went for the first time to Taiwan to shoot a feature about the incredible Yi-Wei Keng, a theatre man and curator of the biggest festivals on the island. For one scene we renacted moments from his youth, were he listened to short wave radio at the shores of his home town Hualin. My Kodak EPP was really old, but I kinda like the grain. Yi-Wei will use the first photograph now to be published in his books. I kie that, too.
I did not know that this film needs to be processed with ENC-2. Anyway, I did it with C41. When I took it out from the tank, I realised it was not well cleaned. I cleaned it with my hands under running water with a drop of soap. Here you are the results.
I did not know that this film needs to be processed with ENC-2. Anyway, I did it with C41. When I took it out from the tank, I realised it was not well cleaned. I cleaned it with my hands under running water with a drop of soap. Here you are the results.
I did not know that this film needs to be processed with ENC-2. Anyway, I did it with C41. When I took it out from the tank, I realised it was not well cleaned. I cleaned it with my hands under running water with a drop of soap. Here you are the results.
