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동의합니다.
La mayoría de estas fotos están hechas en Zamora con una película Centuria 1600, expuesta en su ISO nominal (1600). Por algún motivo algunas solo se han podido escanear en blanco y negro
La mayoría de estas fotos están hechas en Zamora con una película Centuria 1600, expuesta en su ISO nominal (1600). Por algún motivo algunas solo se han podido escanear en blanco y negro
La mayoría de estas fotos están hechas en Zamora con una película Centuria 1600, expuesta en su ISO nominal (1600). Por algún motivo algunas solo se han podido escanear en blanco y negro
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
2018 September a weekend in Gmünd, walking through Bockheide, Waldviertel has those funny looking Stones, Wackelsteine, Burg Heidenreichstein ....Film 1 in my favorite slr Minolta XD 7 is a Fuji C200.
I tried to push processing with Kentmere 400 ISO film by using 1 hour 20 min stand development in Rodinal (Blazinal) developer - images were a bit too thin (underexposed)
From ”filmsoup-swap” project with my favorite photographer fotobes. About this photo I shot first in Japan (Matsumoto Castle, Nagano), and then he started shooting in UK. He shot at Millennium Bridge, London. After finishing the roll he ”cooked” the film. On completing the roll, he mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then he went into his make-shift darkroom and pulled out the film from the canister. Next he flicked and dabbed the ”soup” onto the exposed film. He waited for a few minutes and then rewound the film into the canister. Afterwards he went to the kitchen and dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom he pulled the film out from the canister again and dried it with a hairdryer, and when done he rewound the film. The film was then developed at Asda, and scanned at The Vault in Brighton. We don’t discuss what we have each taken photographs of, so the results are always a surprise. Check out fotobes’s album from the same project. http://www.lomography.com/homes/fotobes/albums/1995715-lc-a-plus-film-soup-swap-with-hodachrome
the very kind people at lomography lent one of their brand new LC-A 120s to me for a test drive a couple of weeks ago, these are some of my favourites.. and the full write up is here: http://www.lomography.com/magazine/lomoamigos/2014/11/14/lca-120-lomoamigo-toby-mason-aka-fotobes
